In the two years that the New York-based curator Cecilia Alemani had to organize the 59th edition of the Venice Biennale — during which the pandemic forced a one-year delay and 400 studio visits had to happen on Zoom — the world changed around her.
People grappled with large existential questions about the purpose of life, problems of inequity and the health of the planet. There were moments of dystopian doom and hopeful reinvention.
Read more at the New York Times.